|
||||||||||||||||||||||||||
|
ShowsOctober 11-26, 2011
Bernard McCaffrey’s photographic love affair with the human form is
legendary throughout the Valley, in the U.S. and, more recently around the
world via the internet.
It’s been
demonstrated by more than a dozen solo exhibits from Ottawa to Pembroke and
Eganville to Bancroft, by the presence of his photos in collections in The
New Orleans Museum of Art, The Indiana University Art Museum and The Kinsey
Institute Art Collection, and on the world wide web where, since August of
2008 he’s been number one in lifetime hits out of the more than 6000
Canadian artists on
www.artistsincanada.com.
Though
educated with a B.A. in Fine Arts from the City University of New York,
enhanced by over a year of studies in the museums of Europe and the Near
East, it was in Canada that he discovered photography as his main mean of
expression in the visual arts. During the fourth and last year of military
service in the U.S. Navy Air he was stationed at Argentia, Newfoundland.
With a darkroom on the base, abstract like World War II anti-submarine
equipment on the docks and time on his hands, it was the start of a
photographic obsession.
In New
York City in the ‘60’s, besides teaching photography, running a photo studio
and doing solo exhibits, he operated, along with his wife Patricia, The
Ferewhon Gallery on Manhattan’s lower east side. There visitors such as
Duane Michaels, photographer, Alan Ginsberg, poet and Andy Warhol, painter
and film maker, came to exhibit openings.
When
he first arrived in Canada he taught a year long photographic extension
course in Killaloe for Loyalist College. After a decade of setting up an off
grid organic farm, he began doing photo publicity work for Development and
Peace, including an exhibit of photographs of his two years of volunteer
work in Peru. With that he was back on track doing photography as an art
medium and in 2000 he started up a five year project of The Ottawa Valley
Photographers Co-operative.
The
exhibit features over 40 images in black and white, colour and handcolour.
Most of the black and white images were printed in his solar powered
darkroom. Only two of the images are digital, the rest shot on film. Being
off grid, McCaffrey finds that darkroom work uses four to five times less
power than a computer. |
|||||||||||||||||||||||||
![]() |
Website Hosting donated by
Bright Ideas Software
Webmaster
|
|||||||||||||||||||||||||